Powered By Blogger

Wednesday, June 26, 2013

Moments of Anticipation

I've realized I need to become less precious with the communications I share via this blog. Since coming back from Shakespeare and Company this February (wow hard to believe it's been that long) I've started to write a whole bunch of blog posts and then either stopped and not finished them or meant to go back to them or what have you.

Part of this I think had to do with how Shakespeare and Company dealt with the subject of communication in their training, in that they teach you to talk about things as succinctly and specifically as possible. This lead to a struggle in my writing to continue doing that, and when I've felt like I don't completely or succinctly communicate something in a first pass, I get frustrated and want to write it over until I get annoyed with writing it or move on to something else and then I have no writing to share!

That's silly. I have observed my writing process is that I'm most likely to actually get a blog post at the end of a writing session if I commit fully to writing down the thoughts I have in a given moment, ideally doing a quick pass of an edit, and then sharing it and moving on. The blessing and the curse of the internet is how easy it is to access quantity in a sense that it's removed from the expenses of physical media, so you can quickly and cheaply create things and so there are lots of things being created. Vast numbers of things, so many that it becomes counter productive at a certain point to spend too much time worrying about the quality.

But that's another blog post.

I'm pretty far into rehearsals for Caucasian Chalk Circle, we've been getting into the really rough and difficult parts of the "birthing" as it were of this piece of art. Is that an appropriate analogy? There's a lot of collective pain and suffering as we work through the gritty details and logistics of mastering the text, smoothing over the staging, sweating out blocking and staging. For many of us in particular a big part of this has been mastering our Spanish lines, I know it has been for me! I studied Spanish a good deal in school, so I'm not coming in completely ignorant to how it works, but back then I never worked very hard at it, or was ever a preternatural talent for the language, I don't think. So that's been very challenging. But also pretty cool and kind of rewarding. I really like the Spanish text and it's fun getting to work with different sets of actors on the same scenes but in different languages. It's basically equivalent to rehearsing two shows at once. On the hand, that sucks, you're rehearsing two shows at once and it's a lot of work. But also, I'm getting to rehearse two shows at once, so I feel like I'm growing perhaps faster or at least exercising new and different muscles than I normally do as an actor and that's really rewarding.

I talked in that last process about how creating theatre feels like giving birth. Obviously, I haven't ever and will never get the chance to experience that particular component of the human experience, which is honestly something I sort of regret. If I could do it, I would do it. Is that weird and over sharey? I remember talking to my mother as a younger person about her experiences birthing myself and my two brothers. She talked about doing it naturally, and that when I was conceived the philosophy was that the feeling of giving birth can be perceived as being pain but that it's not, it's something else and if you can learn to experience it as that something else pain killers become unnecessary.

So maybe this analogy is stretching it a little bit, but what the hell. For us as artists, what other people might perceive as the tedious, frustrating or painful work of putting something together maybe what sets us apart is that we're able to see the process of birthing work as that something else, something joyful.

This is especially true in theatre, where getting to that final result is such an ecstatic experience, sharing work with an audience, sharing moments with cast members, getting to relive and redo and retry each individual moment night after night and watch it grow and change. I find myself in a series of moments of anticipation as we're on the verge of those final contractions before we can share our creation with the world. I see all the beautiful things beginning to happen, I can see all the things I've already discovered and can already imagine the moments of discovery to come. It's an amazing feeling.

Remind me to make sure I get back into the habit of blogging about it, OK? Thanks.

1 comment:

  1. I like this. Perhaps when The Bacchae goes up in a couple of weeks at The Oberon I should write about my experience, since we had the workshop back in March and I've had moments where I'm feeling exhausted. I think things like, "Oh God, we've been rehearsing this dang thing since January, I don't want to rehearse tonight, I just want it to be over!!" and then we let out Maenad screams and we're still finding beautiful organic moments so by the end of that rehearsal I'm plain old surprised.

    It must be surreal to be doing the same show... but not.. at the same time. I've done a few shows at once, and it can boggle your mind going from one extreme to the other (from a Broadway review, to the Bacchae for example lol). Yet to do what you're doing is something I've yet to experience.

    I'd love to hear/read your thoughts on rehearsing the different languages and if you think you make most or all of the same acting choices in either show? Or do they become separate entities of yourself?

    ReplyDelete